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My Impressions of AXPONA 2026, Part 2

Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine

“Best Of” Lists and Rage Bait: Enough Already

Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life

My Impressions of AXPONA 2026, Part One

Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records

CanJam NYC 2026 Show Report: Heady Sound, Part Two (with Harris Fogel)

More Fun in the Sun: Florida Audio Expo, Part Two

Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky

Harvard Gets a High-End Audio Education

Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges

CanJam NYC 2026 Show Report: Heady Sound, Part One

Listening to Prestige: The History of a Vitally Important Jazz Record Label

Passport to Sound: May Anwar’s Audio Learning Experience for Young People

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters

Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories

Your Editor’s Tips for Attending Audio Shows

T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy

Otis Taylor and the Electrics Deliver a Powerful Set of Hypnotic Modern Blues

Capital Audiofest 2025: Must-See Stereo, Part One

Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two

Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit

T.H.E. Show New York 2025, Part One: A New Beginning

Quick Takes: Eddie Daniels, The Secret Trio, Anette Askvik, Zack Lober, Jane Ira Bloom

Recording Engineer Barry Diament of Soundkeeper Recordings: Striving for Natural Sound

1! 2! 3! 4! Surrounded by the Ramones in Dolby Atmos!

Recording Engineer Barry Diament of Soundkeeper Recordings: Striving for Natural Sound

World Fusion Meets Flamenco in Gratitude from Steve Mullins and Rim of the Well

Talking With Musician, Composer and Record Label Maven David Chesky, Part Two

We’re Audiophiles, and Deserve Some Respect!

EveAnna Manley Passes the Torch With the Sale of Manley Labs

Musings About AI, Audio, and Music

Talking With Musician, Composer and Record Label Maven David Chesky, Part One

Confessions of a Setup Man: An Unexpected Audiophile Upgrade

Quick Takes: Stjernebru, Ola Onabulé and Nicolas Meyer, and Patricia Barber’s Modern Cool on Impex

Buzz Me In: Inside the Record Plant Studios, a Book Review

The Kinks – The Journey, Part 3, and an Interview With Drummer Mick Avory

Talking With Yair Raz of Speaker Maker Innovo Audio Designs

It’s a Gas: Restoring the Legendary Hill Plasmatronics Loudspeakers

AXPONA 2025: Bigger and More Bustling Than Ever

Book Review: The Musical World of Paul Winter

Florida Audio Expo 2025, Part Two: The Sound of Music

Kraftwerk Celebrates 50th Anniversary of Autobahn With New Reissues

Steely Dan’s Katy Lied, Reissued by Analogue Productions: It Feels So Good

Florida Audio Expo 2025: First Impressions (With More to Come)

Talking With Triad Magnetics: Demystifying the Science Behind Audio Transformers

Vinyl: The Most Improbable Comeback of the 21st Century (with Larry Jaffee)

An Informative Encounter with DALI Speakers
Listening to Miles Davis and Birth of the Blue at a Temple of Jazz

Two Magnificent Holiday Albums From 2L Records: Yule and Fred over jorden
Capital Audiofest, Part Two: More Thoughts and Observations

Capital Audiofest 2024, Part One: The Trend is Clear
Analogue Productions Reissues Genesis: Nursery Cryme

AES 2024 Show Report: The Future of Audio, Today

Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part Three

Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part Two
Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part One

James Lee Stanley Reflects on Life, Love and Living in New Album The Day Today

Sing and Dance With Frank Sinatra on Impex Records 1STEP LP: An Historic Masterpiece, Reissued

Copper’s Alón Sagee: In Memoriam

Dare to be Different: The Story of WLIR-FM and a New Music Revolution

AXPONA 2024, Part Two: Audio in Abundance

AXPONA 2024: A Really Big (Audio) Show, Part One

Making Speakers Smaller and Better With MEMS Technology: Talking With Moti Margalit of Sonic Edge

Octave Records Releases the Newest in The Art of Hi-Fi Series With Volume 4: Strings

Remembering Audio Retailing Legend Andrew Singer

Impex Reissues the Bossa Nova Jazz Classic Getz/Gilberto (and an Interview With Nick Getz and Abey Fonn)

Jazz Trumpeter Gabriel Mervine Releases Two New Albums on Octave Records

Behind the Scenes at Florida International Audio Expo: Talking With Founder Bart Andeer

CanJam 2024, Part One: Diversity in All Things Headphones

Streamline HiFi’s Steve Morris: Bringing Audio Consoles Into the Modern Age

In Memory of Tony Cordesman

How I Fell In Love With Korean TV Soundtracks

Creating a Musical World With the Slambovian Circus of Dreams

Magnepan’s Jim Winey: In Memoriam

Octave Records Releases Live at Nocturne II by the Tom Amend Trio

Folk and Soul Meet Bluegrass: Octave Records Releases Sturtz: Live at Roots Music Project

Billy Joel Exhibit Debuts at the Long Island Music and Entertainment Hall of Fame

Stenheim Unveils a New Speaker at New York’s Famed Power Station Studios

Rhino High Fidelity: A Vinyl Series to be Reckoned With

Analogue Productions Reissues Genesis: Selling England by the Pound

Capital Audiofest 2023: A Show Grows in Maryland (with Harris Fogel)

Long Island’s Audio Den Opens a New Listening Room

The Kinks: The Journey – Part 2: Wrapping Up a 60-Year Career Retrospective

High-End Audio Luminary Michael Fremer Produces His First Record Album

200 of Your Editor's All-Time Favorite Songs

Flaunt the Audio Imperfection

Guitarist Ana Vidović Performs a Spellbinding Selection of Classical Works on Live at Hampden Hall

A Tract About Cataracts: Staving Off Retirement, Part Two

Frankie Goes to Hearing Aids: Staving Off Retirement, Part One

Guitarist Enmanuel Alexander Shines With Jazz/Funk Radiance in Off the Cuff – Live at Meadowlark

USound and MEMS: Making High-Quality Micro-Speakers a Reality

Pianist Erik Deutsch Takes a Journey Through Jazz History With Decades, Octave Records’ Latest

A Chat About Audio Writing

Octave Records Releases Ancient Rhythms By Guitarist Bill Kopper: Timeless Music With a Modern Flavor

The Kinks Begin a Retrospective Journey

Remembering Copper’s Dan Schwartz: A Friendship That Went Deep

Impex Records Invites Me to Patricia Barber’s Nightclub

Contemporary Classical Music from Octave Records: Conversations by Composer Gustav Hoyer

Impressions of AXPONA 2023

Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars and Audio Enthusiast, Part Two

Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars, Part One

Octave Records Releases Its First Live Album: Jazz Trumpeter Gabriel Mervine’s Live at Nocturne

Confessions of a Record Collector, Part Three (Copper)

Even More Rock Album Mini-Reviews (Copper)

The Grand Opening of the Long Island Music and Entertainment Hall of Fame

Talking With Elliot Goldman of Bending Wave USA, Part Two

Talking With Elliot Goldman of Bending Wave USA, Part One

Talking With Dan Mackta of Qobuz

Confessions of a Setup Man, Part 15: Avoiding Burnout

Talking With Larry Jaffee of Making Vinyl, Part Two

Talking With Larry Jaffee of Making Vinyl, Part One

150 Favorite Rock Albums: More Mini-Reviews

The Latest from Octave Records: Mini Brazilian Beasts by Pianist Carmen Sandim

How AXPONA Got Its Groove Back, Part Three 

How AXPONA Got Its Groove Back, Part Two

How AXPONA Got Its Groove Back, Part One

Copper and PS Audio’s WL “Woody” Woodward: In Memoriam

Confessions of a Setup Man, Part 14: The Reluctant Reviewer

The Spreckels Organ: A Historic Musical Treasure, Part Two

The Spreckels Organ: A Historic Musical Treasure, Part One

Who Decides What’s Good or Bad? And, Some Mini-Reviews

From Rock to Schlock: 150 Desert Island Albums

Confessions of a Setup Man, Part 13: Engineering Complex

Seeking Clarity About Transparency

Confessions of a Record Collector, Part Two

Art Dudley: A Tribute

Octave Records Releases The Complete Bach Cello Suites by Zuill Bailey

Chris Brunhaver, PS Audio’s Head Speaker Designer

Confessions of a Record Collector, Part One

Copper Listens to Copper: Stockfisch Records’ DMM Dubplate Vol. 1

Octave Records Goes Jazz: Gabriel Mervine's Say Somethin'

Confessions of an Audiophile Setup Man: Failed Experiments

Talking With Audiophile Archive and Grading Services

Will a Perfect Audio System Ever Exist?

EveAnna Dauray Manley of Manley Labs, Part Two

EveAnna Dauray Manley of Manley Labs

Hanging With Les Paul

Confessions of a Setup Man 11: Can A System Be Too Good?

Interview With Steve Guttenberg: the Audiophiliac, Part Two

Interview With Steve Guttenberg: the Audiophiliac, Part One

Confessions of a Setup Man, Part 10: No Direction Home

Hearing Loss and the Need for High-End Audio

Gayle Sanders of Eikon and MartinLogan, Part Two

Talking With Gayle Sanders of Eikon Audio and MartinLogan

Confessions of a Setup Man, Part Nine: Inconsistency

Confessions of a Setup Man, Part Eight: Too Hot to Handle

Rumer: Nashville Tears

A Visit to Audio Classics: Vintage Vibe, Modern Mojo

Talking With Carl Marchisotto of NOLA Loudspeakers

Confessions of a Setup Man, Part Seven: You Can't Have It!

Confessions of a Setup Man, Part Six: Sinister Stairways

Introducing Octave Records: Audiophile Sound, Benefiting Musicians

How I Met Buck Dharma of Blue Öyster Cult

The Incalculable Influence of Kraftwerk

In Memoriam: Victor Goldstein

Getting It Wrong: Confessions of a Setup Man, Part Five

In Memoriam: Art Dudley

Audio Companies Respond to COVID-19

You're Grounded! Confessions of a Setup Man, Part Four

Haunted: Confessions of a Setup Man, Part Three

Bang, Zoom! Confessions of a Setup Man, Part Two

Confessions of a Setup Man, Part One

My Life with Harry Pearson of The Absolute Sound

James Lee Stanley: Musical Survivor

New York Audio Show Report 2019, Part Two

New York Audio Show Report 2019, Part One

Capital Audiofest 2019 Show Report

Interview with CoolCleveland.com at AXPONA 2019 (video)

Working with an Audio Legend: My Time with Harry Pearson of The Absolute Sound (video, The Audiophiliac)


WRITING

I'm the editor of Copper, a magazine about music, audio and a whole lot more.

 

To access all the Copper articles I've written, click on this link, which will take you to the ALL ARTICLES button at the top middle of the Copper home page. Ckick the button, then type in my name when the search bar comes up.

I am also a Senior Contributing Editor for Positive Feedback magazine, and a contributor to PMA Magazine.

 

Please click on the links below to read some writing examples.

FRANK DORIS
EDITOR / WRITER / GUITARIST /
PUBLIC RELATIONS CONSULTANT

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